The film takes the form of a documentary, starting with the young struggling Cohen on the island of Hydra, amongst a community of foreign artists, writers and musicians, with dreams of becoming an author. Here, he meets Ihlen (13 years older than him) – alone with her young son, after a failed marriage – who ultimately played a huge role in transforming Cohen from a struggling novelist and poet into the influential singer and songwriter he became (with a little additional help from Judy Collins).
Cohen – in his younger days, at least – was a selfish, self-centred, self-obsessed (almost narcissistic?) man who clearly felt he was something of God’s gift to women (and huge numbers of women seemed to agree!)… but also a complex man who struggled with depression and drugs.
The film contains footage of him talking about his time with Marianne… revealing how, at first, he spent six months of the year in Hydra with Ihlen, and the other six months in Montreal. Then it was four months a year, then two months, then two weeks as his career took off. Marianne Ihlen (unlike “Suzanne”, incidentally) emerges as someone of enormous gentleness and dignity, even coming to one of the huge concerts that Cohen did in his old age when he was enjoying a huge second wave of popularity.
The album
“Songs of Leonard Cohen” (1967) was/is one of my all-time favourites (but,
obviously, Joni Mitchell is the singer/songwriter I worship!) – featuring the
iconic tracks ‘So Long, Marianne’ and ‘Suzanne’… at the time (and since!), some
people couldn’t understand why I absolutely loved songs that were so bleak.
Yes, I loved Cohen’s poetry, his voice… and his bleakness.
The relationship between Marianne and Leonard lasted some 8 years (off and on) and their
friendship until their deaths (she died in July 2016 and he died just four
months later). When he was advised of her impending death, Cohen sent her this
poignant message:“And you know that I’ve always loved you for your beauty and your wisdom, but I don’t need to say anything more about that because you know all about that. But now, I just want to wish you a very good journey. Goodbye old friend. Endless love, see you down the road”.
Clearly,
for me, the music is a nostalgic reminder of my student days in Oxford from
1967 onwards… and of songs that I keep returning to, even more than 50 years
later.
This isn’t a great film, but it does
provide a vivid snapshot of the early 1960s and of a complicated, tender love
story.
No comments:
Post a Comment