It seems like an
awful long time since I last went to the Watershed (very nearly 2 months!), but
I’m really pleased that I made the effort to go this afternoon.
I went to see
Canadian film-maker Sophy Romvari’s excellent, powerful, painful film about a
Hungarian
immigrant family grappling with oppositional defiant disorder (ODD - a behavioural
condition in children and teens characterised by a persistent pattern of angry
or irritable moods, argumentative and defiant behaviour, or vindictiveness).
On a flippant level (I’d never
previously heard about such a condition – I was totally ignorant), it seemed to
me to sum up the behaviour of a lot of children at the end of the long school
summer holidays(!)… but it’s absolutely NOT. It’s an utterly awful disorder.
The film is
set on Vancouver Island in the 1990s. A young girl, aged 7-8 years, named Sasha
(Eylul Guven), lives with her two brothers and older teen half-brother Jeremy
(Edik Beddoes). They’ve just arrived at their new house; their parents (played
by Iringó Réti and Ádám Tompa) are Hungarian and, emotionally, they’re all
really, really struggling. Jeremy is deeply troubled and his behavioural
condition means he refuses to cooperate with his parents’ increasingly
desperate requests. He behaves destructively and dangerously, threatening to
burn the house down, and is often brought home by the police in handcuffs.
As you will appreciate, the film is NOT
a bundle of laughs… but it IS utterly compelling and somewhat underplayed
(thankfully) and definitely not ‘in the Hollywood style’.
In fact,
the film is partly autobiographical - based on Romvari’s own childhood
experiences with her own troubled brother… with the film’s Sasha being upset by
Jeremy’s behaviour in a way that her brothers aren’t. The mysterious condition wounds
Sasha as a child and even more so as an adult – with the adult Sasha (played by
Amy Zimmer) working as a film-maker and played in flash-forward scenes
(including videoing a panel of social workers discussing Jeremy’s case).
I found it a very moving, dignified
film which (in the words of CBC Arts review) “beautifully blends documentary
and fiction to explore the slippery, often unreliable nature of childhood
memory”. The kind of film that will linger in my memory (in a good way).