Marriage (David Harsent): I’m a great lover of Harsent’s poetry – his words resonate for me when I read them out loud (as I often do). First published in 2002, this book consists of two sequences of poems. The first is loosely based on the relationship between the artist Pierre Bonnard and Marthe de Meligny – his muse and model, who eventually became his wife. The book’s cover notes refer to “the mysteries of domesticity, its unspoken privacies and intimacies, where the painter’s problems of seeing coincide with the husband’s problems of knowing”. The second sequence focuses on the hare (a familiar theme for Harsent). Sadly, I think I’ve virtually exhausted the extent of the poet’s work… I may need to do some re-reading!
Thursday, October 29, 2026
october 2026 books…
Tuesday, October 27, 2026
fatherland…
I
went along to the Watershed this afternoon (it’s been a long time!) to see Paweł
Pawlikowski’s film “Fatherland” (shot in monochrome by Lukasz Zal).
Set
in 1949 (the year of my birth), celebrated novelist Thomas Mann (who fled the
Nazis before the war) has returned home and first visits Frankfurt (West
Germany) to receive an award named after Goethe (and is assigned a CIA
liaison), but embarrasses his hosts by announcing his intention to accept a
second award in Weimar (Soviet Germany).
Mann
evidently aspires to float free from history, it seems… but where is his
commitment?
Mann
(played by Hanns Zischler) is accompanied by his long-suffering daughter Erika
(brilliantly played by Sandra Hüller). It’s a complex story – which I won’t even try to
unravel – about cold war acrimony, family conflict and tragedy, betrayal, and the
impossibility of going home.
Note
1: Amid all the sombre greyness, the film’s other ‘star’ is the gleaming, black
1948 Buick Super.
Note
2: For me, I always associate Thomas Mann with his novella ‘Death In Venice’ - drawing
in part on his own experience in Venice during the 1911 cholera epidemic (and,
of course, the wonderful film of the same name).
Tuesday, October 13, 2026
october-september 2026 books...
Midsummer Night In The Workhouse (Diana Athill): I’ve read a number of Athill’s celebrated memoirs and have really enjoyed them (she was ridiculously posh, but seemed to have a wonderfully decent attitude to life). So, this book of short stories (written mostly in the late 1950s and first published by Persephone Books in 2011) is the first of her fiction I’ve read. They’re essentially all told from a woman's point of view - exploring female sexual desire, independence, regret, and introspection with refreshing honesty – and are set in England, France, and Italy. Her prose, just like her memoirs, is unsentimental, sharp, perceptive, and darkly funny… and containing several pieces which draw subtly on Athill's own life experiences. I very much enjoyed them (they provided some of my ‘holiday reading’ while we were away in Tenby).
Thursday, September 24, 2026
september 2026 books (more!)…
Unto Us A Son Is Given (Donna Leon): Apparently (according to my blog), this is the 10th Leon book I’ve read… ridiculous. She’s definitely not an Agatha Christie, but I do enjoy the way she writes (well, I like Guido Brunetti and his family!)… and, of course, I just love feeling I’m back in Venice again.
Monday, September 14, 2026
september 2026 books...
The Music Shop (Rachel Joyce): This is our next Blokes’ book… about an old music shop – jam-packed with records of every genre (classical, jazz, punk…) as long as it’s vinyl. The owner has a magical gift of finding the music his customers need. One day a German woman asks him to teach her about music… and so the story develops. The woman is not what she seems and the shop-owner is reminded of the old wounds of his past. I’ve read a number of Joyce’s books and this one, again, contains a blend of quirky characters, the appreciation of everyday life and the resilience of the human spirit. Joyce is a great story-teller and I very much enjoyed this novel (which I consumed in 2 days) - it’s tender, funny and uplifting (although I did find the ending perhaps a little too predictably ‘unreal’).
Thursday, September 03, 2026
august-september 2026 books...
A Century Of Poetry (Rowan Williams): Another early morning/read out loud book. A hundred poems from a hundred years (Williams was keen to point out that they’re not intended to be the ‘best’ poems – simply ‘good’ poems which, in his view, “open the door to some fresh, searching and challenging insights about the life of faith”) and I read them (out loud to myself) on a daily basis over a 100 days (with Williams’ own reflections accompany each poem). I’m a great admirer of Williams and, while I found some of the accompanying notes quite helpful, I also felt (for me, at least), they were often much more than I needed (eg. two pages of detailed notes/sermon on each brief, half-page poem) and I ended up trying to focus on the poems themselves – which, in all honesty – I generally found pretty disappointing. Perhaps, given my own labouring faith journey, I expected too much? All in all, not for me I’m afraid.
Up Late (Nick Laird): Yet more read-out-loud-early-morning-poetry. I hadn’t previously come across Laird, but really enjoyed this collection of his poetry/musings. In particular, I loved his piece that formed the title sequence ‘Up Late’ – a profound meditation on a father’s dying, written over the course of his final days. Incredibly powerful and hugely moving.
Wednesday, August 19, 2026
more august 2026 books…
The Water Table (Philip Gross): I’ve only recently come across Gross’s writing and was particularly drawn to this book as it includes several references to the Bristol Channel - “with shoals and channels that change with the forty-foot tide” – which I know well. Overall, I found his works hauntingly vivid and elegant… but have to admit that there were some sections that I found difficult to read aloud (the words felt somewhat awkward) and to fully appreciate - but perhaps that’s just me! I’ll continue to explore his poetry over the coming weeks/months.






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