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This summer, the NHS will be celebrating
its 75th birthday.
I was one
of the first individuals who benefitted from the service and it’s something I’ve
treasured throughout my life.
Increasingly,
there’s talk that the Tories are wanting to introduce a privatised version of
the NHS (and they’ve been pushing such policies over the past 10 years or more)…
making people pay for doctors’ appointments; encouraging people to ‘go private’
in order to jump the lengthy waiting times for operations; making things so bad
that they maintain that introducing a privatised system is the only solution to
health service needs.
Frankly, I’ve
long argued that higher taxation is the only appropriate (and essential) way to
ensure that our public services are maintained and developed. By contrast, the
Tories constantly talk about cutting taxes.
I am hugely
fearful that we’re becoming a two-tier society… the haves and the have-nots.
The rich who can afford to pay and the poor who can’t. Those families who don’t
have sufficient resources to maintain a decent standard of living and who, in
these days of cost-of-living and energy crises, are being forced into making
desperately difficult decisions (eg. heat or eat). By the same token, if people
are forced into making decisions about their (or their family’s) health based on
whether or not they can afford to do so, I genuinely fear for the society we
would have become.
It doesn’t take
much to imagine a situation where a family member is in need of health
treatment, but is forced to opt out for reasons of cost… parents who understandably
focus on their children (or perhaps elderly relatives) because they feel unable
to justify being treated themselves. People with special needs or disabilities
struggling because the appropriate services have been ‘run down’ due to lack of
finance/political decisions. What are they expected to do if they can’t afford
to pay for a replacement?
I genuinely
fear for what lies ahead if the current political mindset doesn’t change.
Yes, of course, our NHS is far
from perfect but, frankly, from what I’ve heard of several people’s
experiences, neither is the privatised version.
I think that the time has come when we
have to take a stand for certain important principles… but time is running out.
Moira and I
went to the Watershed yesterday to see Sam Mendes’ film “Empire of Light”.
Set in
1981, the Empire is a fictional Margate cinema. The key characters are Hilary
(Olivia Colman) - depressed, middle-aged and lonely - and Stephen (Micheal
Ward) - a young black man facing the daily trauma of a racist England. They both
work at the cinema.
Mendes both
directed the film and wrote the screenplay. He’s apparently described it as a
tribute to his own mother (but I’m not sure if this relates to her mental
health or her love of cinema?). The Empire cinema is one of those beautiful Art
Deco buildings that has seen better days. Cinema attendance had declined
markedly; the Empire used to have four screens, but now uses only two.
It’s a wonderfully
acted drama about love, life and films. Colman and Ward are excellent (Colman
is outstandingly good) – as is Toby Jones as the dedicated projectionist Norman.
I found it
a hugely impressive, heartfelt film (and beautifully shot by Roger Deakins) and
yet I came away feeling that there had been just too many storylines (Hilary’s
mental health; Stephen’s racist experiences; the sexual demands of the self-important,
pompous cinema manager (Colin Firth); the Empire as the venue hosting the
regional premier of ‘Chariots of Fire’; England’s widespread racism; the
uplifting cinema-going experience; the romance of films; the UK’s struggling
film industry).
Nevertheless,
I think you should see it – if only for the cinematography and Colman’s
wonderful performance.
Small Things Like These (Claire
Keegan): Moira gave me
a batch of books shortlisted for the Booker Prize 2022 and this is the first
one I’ve read. The novel is a mere 114 pages long but is simply stunning…
haunting and yet hopeful. It’s set in 1985, just before Christmas, in an Irish
town in County Wexford. The story’s main character is Bill Furlong, a coal
merchant with a wife and five daughters. As an infant, Furlong and his mother
were taken in by a wealthy Protestant woman living just beyond the town. I’m
loathe to say too much, but there is a convent at the edge of town and, attached
to it, a training school and laundry where young women live and work. There are
all kinds of rumours about those in attendance. It’s a beautiful, breath-taking
and tender book that will remain with me for a long time. You need to read it.
Treacle Walker (Alan Garner): Another from the Booker Prize 2022
shortlist. I read Garner’s memoir “Where Shall We Run To?” a couple of years
ago, but can also recall reading (or at least starting to read) his novel ‘The
Moon of Gomrath’ to our daughters when they were young (a long time ago!)… but
I don’t think I was ever captivated by his world of myth and magic. ‘Treacle
Walker’ is a strange, mystifying, clever book (of just 150 pages). Joe is a
child living a somewhat strange existence; his parents are not in evidence. He wears
a patch to correct a lazy eye. One day a rag-and-bone man, named Treacle
Walker, appears and offers Joe a cup and a stone in exchange for an old pair of
pyjamas and a lamb’s shoulder bone. The cup has Joe’s name written upon it. Joe
later comes across Thin Amren, a naked, ‘bog-man’ who informs him that his lazy
eye is the result of “the glamourie” – a gift that enables him to see time
collapsed, to perceive the eternal in the now – and is drawn into the
mirror-world of a comic book battles (aided by the visits of the genial Treacle
Walker). For me, it felt like a cross between Max Porter’s book ‘Lanny’, Lewis
Carroll’s ‘Alice in Wonderland’ and Roald Dahl’s ‘The BFG’! I subsequently read
a review by Alex Preston (in The Guardian) in which he described the novel as “seeking
to ask how we would experience the world if we were able to step out of the
straitjacket of time” and that it was “about quantum physics as well as ancient
lore” – which might explain why, at times, I struggled to make sense of it all!
Fascinating nevertheless.
The Bullet That Missed (Richard Osman):
Osman is one those
highly intelligent people who are capable of being simply brilliant at anything
they choose to do. This is the third of his ‘The Thursday Murder Club’
mysteries - set in a peaceful retirement village, where “four unlikely friends
investigate unsolved murders”. The plot is very clever (even if I did find
myself saying “oh, really!” a couple of times out loud) and Osman just has a
knack for writing – completely engaging, humorous and with characters who you
genuinely get to love (each one of them!)… and the book is ridiculously
readable (400 pages, but easily finished within 3 days). Can’t wait for the
next one… you just hope the elderly characters can go on living for a fair few
more years yet!
Plainsong (Kent Haruf): I’ve selected this as our next Blokes’
Books book. It’s a bit of a cheat really because it’s only 3 months ago that I
first read it… but I just felt it would be an excellent book for us to discuss
(we’ll see!). It’s set in a small town, Holt in Colarado, and recounts the
lives of individuals who share little else than belonging to fractured families
– including a schoolteacher struggling to bring up his 8+10 year-old sons
alone; a pregnant, homeless schoolgirl and two old bachelor rancher brothers
who take her in. Colarado life can be cruel at times. Some people’s actions are
appalling but, at the same time, there are some wonderfully gentle, decent
individuals. The writing is magical - graceful and almost poetic – with a
quiet, understated way I found absolutely captivating. I loved it… and loved
re-reading it.
Oh William! (Elizabeth Strout): This novel is another book shortlisted
for the Booker Prize 2022 and features successful writer Lucy Barton
(apparently Strout has written two previous novels about Lucy Barton) and her
relationship with her ex-husband, William. They are both at a late-life crossroads
(Lucy is 63 when the book opens). Lucy’s beloved second husband has died a few
weeks earlier, and William’s third wife has left him. William asks Lucy to join
him on a trip to Maine in search of a long lost half-sister. The book isn’t so
much a tale of this search, but about the nature of Lucy and William’s
relationship. Indeed, it’s
a novel about relationships but also about class; about memories; about
feelings and emotions; about ageing; about tolerance and intolerance; and,
sometimes, about the quiet forces that hold families together. I very much
enjoyed Strout’s writing – intimate, wise… and managing to capture empathy
without sentimentality.