july 2026 books...

Gwen John (Emma Chambers): I went to the excellent Gwen John exhibition in Cardiff earlier this year and also read Alicia Foster’s book about the artist. But, although I had long been an admirer of her work, I still felt that I knew only rudimentary facts about her life and was keen to learn a little more – hence this book (first published in 2024). Frankly, Chambers’s and Foster’s short books were very similar in content (about John’s time at the Slade; that much of her life was spent in Paris; that she was Rodin’s lover and frequent model; and that, later in life, she embraced Catholicism), but I did enjoy learning more about her changes in painting techniques (from say 1910 onwards) and how, because she’d spent so much of her life in Paris, one article described her as ‘an undiscovered artist’ when she re-engaged with the London art world in 1926. The book also introduced me to a number of unfamiliar (to me) paintings – particular from the late 1910s/1920s. A useful read.
Lazy Thoughts Of A Lazy Girl (Jenny Wren): I first read this short book of comic essays (first published in 1891) 10 years ago and recently came across it while trawling through our bookshelves. Essay subjects include love, politics, afternoon tea, children+dogs and watering places! Jenny Wren is the pseudonym of an unknown, purportedly female, author. It was produced as a reply to Jerome K Jerome’s “Idle Thoughts Of An Idle Fellow” (first published in 1886). The essays provide a revealing, amusing insight into the day-to-day morals, manners and mindset of the Victorian middle class. They are entertaining, silly and snobbish (although, I admit, not quite as entertaining perhaps as I found them on first reading).
Dream Work (Mary Oliver): I never tire of Mary Oliver’s writing! Her words always resonate for me – uplifting, consoling, thought-provoking. This book was published in the USA in 1986, but first published in the UK in 2025. Yet again, reading her poetry out loud to myself in the early mornings, provided a degree of solace in this harsh and challenging world.
Dad Had A Bad Day (Ashton Politanoff): This is our next Storysmith book selection, first published in 2026 (theme: sporting novels). A 39-year-old American man has lost his job and now looks after his 6-year-old son while his wife works. He comes across his old tennis racket buried in the garage and unearths part of his former self. He re-joins his former tennis club without his wife’s knowledge… finds life outside the realm of domesticity and becomes captain of a local men’s team. Trouble is that it becomes something of an obsession… and we end up with a thought-provoking/depressing examination of traditional masculinity and toxic father-son dynamics. I think I’ll leave it there (*no spoilers*), apart from saying that, although it was compelling in its way (I’ve seen one review that called it ‘deranged’!), I really didn’t enjoy it.
The Enchanted World Of Jessie M King (Colin White): Another art book from the library. Shamefully, I have to admit that, although I recognised lots of her illustrations, I knew very little about King herself (1875-1949). The author describes her as the “most important illustrator of the 20^th century”. She was a contemporary of Charles Rennie Mackintosh and, indeed, in conjunction with him, his wife Margaret Macdonald and her sister Frances Macdonald at the Glasgow School of Art (where they all studied), they were frequently referred to as ‘The Four’… and developed what became known as the ‘Glasgow Style’. King’s illustrations are a blend of fantasy and reality (‘stylised formality’); she and her husband lived in Paris for a time, but spent much of her working life on the isle of Arran (Kirkcudbright). During her career, she produced a huge quantity of drawings (including beautiful sketches of buildings) largely based on Scottish ballads, chivalrous knights, northern fairy tales and pageantry. By the time of her death in 1949, her work had become almost totally neglected – but, thankfully, a number of high-profile retrospective exhibitions of her work in the 1970s restored her reputation. Note: I was sad to note that Wikipedia described her as being “known for her illustrated children’s books” – while she certainly did work on children’s books, especially later in her life, this completely overlooks work undertaken 1910-35… which I consider to be her best. A fascinating book.