graham nash at bristol beacon…

Nostalgia rules!
I went along to the Bristol Beacon last night to see/hear Graham Nash (plus Peter Asher – of ‘Peter+Gordon’ fame if you’re as old as me!). As you will probably know, Nash was an integral part of the 1960’s group (we didn’t call them ‘bands’ in those days!) The Hollies. Although I was never a massive Hollies’ fan, I did enjoy their music.
As far as I’m concerned, Nash truly came into his own when he joined musicians David Crosby (ex-Byrds) and Stephen Stills (ex-Buffalo Springfield) to form the ‘folk rock supergroup’(!) Crosby Stills+Nash in 1968 (later to become Crosby, Stills, Nash+Young when joined by Neil Young in 1970, I think).
As a bonus(?) for me, who regards Joni Mitchell as my all-time ultimate musical hero, Nash+Mitchell had a “famous and influential relationship in the Laurel Canyon music scene from 1968 to 1970. While they were deeply in love and inseparable, the intense and tumultuous relationship ultimately ended with Mitchell leaving Nash” (according to Wikipedia). Their time together inspired significant music, including the wonderful Mitchell's Blue album (featuring ‘My Old Man’ and ‘River’) and Nash's evocative ‘Our House’. 
So, for me, last night was all about musical memories from a very special time in my own life after leaving home/starting university (I could remember the words of most of the songs, of course!).
It proved to be a rather wonderful evening, Nash (accompanied by three excellent, high-quality musicians) ran through his impressive repertoire of songs – I’d forgotten that he’d actually written so many of my favourite songs.
Yes, there was part of me (approaching 77) going to see/hear a musician (approaching 84!) in his ‘twilight years’(??) playing for 90 minutes plus that found last night’s concert both sad and wonderfully ridiculous… an evening of old songs and ‘rosy-coloured’ recollections. I suspect, that over the next few days, I’ll be adding even more ‘old songs’ to my various playlists of very ageing tunes!
Nash was in very good form (and voice). A memorable evening.
I really enjoyed the concert and found it quite cathartic, uplifting and even quite emotional at times.
Living in the past… while I can still remember it.
Photos: from my seat at the concert.
Footnote: At the start of the evening, Peter Asher talked and played songs (accompanied by two other musicians) from his own musical career – including fascinating insights into his time working with James Taylor and Carole King. Gordon Waller died in 2009. Unlike Nash, Asher’s ageing voice isn’t what it was, but hey!

bournemouth symphony orchestra at bristol beacon…

Thanks to Dave+Sarah, I was given a ticket to another classical concert at the Bristol Beacon last night (two concerts there within a week!). The programme consisted of:
Brahms Symphony No. 3
Hough Piano Concerto, ‘The World of Yesterday’
Elgar Variations on an Original Theme, ‘Enigma’
 
I hadn’t heard the piano concerto (which was impressive, but not quite my cup of tea) before last night, but was familiar with the other pieces. The evocative Brahms Symphony (which I do like – especially the third movement) is apparently, according to the programme notes, rich with references to his own thoughts about life and love in its striking mixture of passion and pessimism, of restlessness and serenity – we certainly need LOTS of passion and serenity at the present time!
And, like most people, I also love the Elgar Variations… but hadn’t realised was that they take the form of a portrait gallery of the composer’s friends, family and neighbours… and, last night, these were elaborated upon through spoken excerpts from Elgar’s own writings.
Another excellent evening with an impressive, full orchestra in full voice.

LSO playing mahler at the beacon…

I went to the Bristol Beacon last night with my good friend Ed to hear/see the London Symphony Orchestra (LSO)(conductor: Sir Antonio Pappano) performing Mahler’s Symphony no.1 and Walton’s Cello Concerto (soloist: Rebecca Gilliver).
I love Mahler’s music and last night’s performance was wonderfully impressive… so brilliant to witness the sight and sound of a large orchestra at full tilt.
I was less familiar with the Walton piece, but very much enjoyed Rebecca Gilliver’s mesmerising performance.
A really excellent evening.
PS: Somewhat embarrassingly, the last time I was at the Beacon (or Colston Hall as it used to be) for a concert of classical music was in May 2018 – to see the wonderful Mirga Grazinyte-Tyla conduct the CBSO… although I’ve attended other classical concerts elsewhere in the meantime.
PPS: Although Walton’s Cello Concerto isn’t my favourite cello piece, the cello IS almost certainly my favourite classical instrument. It reminded me of the time I first remember hearing/watching Elgar’s ‘Cello Concerto’ played ‘live’. I’d been invited to a special concert at St Hilda’s College, Oxford (I designed some student accommodation for the College during my time working for The Oxford Architects Partnership). The world-famous cellist Jacqueline Du Pré was an Honorary Fellow at St Hilda’s College. She was forced to stop performing in 1973, due to Multiple Sclerosis, and died in 1987, aged 42. The Jacqueline Du Pré Music Building was subsequently built in Oxford and opened in 1995 (St Hilda’s had been one of the joint fundraisers). That concert probably took place in 1973/4 - over 50 years ago (I know!) - and I still have goose-bumps when I recall the sound of the cello that night (the last performance of Elgar’s Cello Concerto I attended – at St George’s, Bristol in 2019 – brought tears to my eyes… soft man that I am). I think I need to attend another performance of that Elgar piece before I die! 

steve knightley at the beacon lantern…

I first saw Steve Knightley/Show of Hands more than 20 years ago. I certainly remember seeing him with my brother at the Bromyard Folk Festival in 2004 when he was appearing with Phil Beer in their ‘Show of Hands’ guise. Together, they are one of the leading forces in British folk (Peter Gabriel has described them as “one of the great English bands”). Knightley has aged at about the same rate as me (he’s 5 years younger!) – but he can still write songs, play lots of instruments and sing, superbly (unlike moi!).
Last night, he performed solo and was absolutely excellent. His songs frequently talk about the hardships and realities of West Country life – the sadness and the struggles; the declining industries; the broken lives; and the ordinary people – but also about love, families and the beauty of the natural world. He’s a wonderful story-teller and he’s a very funny man.
It was a really brilliant evening – played to a virtually full-house in the Lantern Hall… and with an audience of fans who knew most of his songs and didn’t hold back whenever they were encouraged to join in (which happened frequently!).
On a really difficult day (ie. trying to cope with the Trump vote!), it somehow restored my faith in humanity and decency.
Photo: Steve Knightley performing last night.

oysterband+june tabor at the beacon…

I went along to the Beacon last night to see the Oysterband in their “A Long, Long Goodbye” tour, alongside June Tabor. After 45 years on the road, legendary folk rock collective Oysterband are hanging up their touring boots and concluding their ‘live’ career (whatever that means). 
I last saw them perform, again alongside June Tabor, at St George’s 13 years ago (according to my ancient blog!)… and, of course, we’re ALL getting older! Yes, just like me, they’d all aged and yet, they projected a wonderful celebratory spirit and acknowledgement of their respective musical journeys – the people they’d met, the stories they’d heard, the experiences they’d encountered, the songs they’d sung.
Yes, they’d all aged. Tabor is a year older than me and somewhat frailer than she was in 2011… but her voice has maintained its powerful, brooding majesty which, last night, I found quite moving. Likewise, John Jones still has a wonderful voice and a lovely warm, on-stage presence. Last night obviously involved lots of old familiar songs (the audience were in good voice too!) but, among the highlights for me was the cover of Joy Division’s “Love Will Tear Us Apart”.
They’re coming to the end of their time of performing after 45 years on the road. There were lots of memories, words of gratitude and much laughter. It was a brilliant, quite emotional, evening… and one that I will long remember.
Photo: From last night’s performance.

john hopkins at beacon hall…

Last night (thanks to my three lovely daughters who gave me gig vouchers for my birthday), I went along to see Jon Hopkins in concert at the Bristol Beacon (formerly Colston Hall). It was the first time I’d been there since the Beacon’s extensive renovations. I’d seen Hopkins perform several years ago when he was teamed up with King Creosote back (in 2011, I think) and again when they came to the beautiful isle of Iona in 2012, when they performed in the tiny library there (I was volunteering on the island with the Iona Community for two months at the time). The seating capacity was probably just 35 and it was a sell-out gig(!). It proved to be a memorable, entertaining concert – in part because they’d spent the afternoon at the Argyll Hotel being plied with countless triple gin-and-tonics (which continued right through the performance)!  
Last night’s concert was VERY different… 

Hopkins’ music has ‘moved on’ somewhat from those days (understatement!) – including working with Brian Eno and Coldplay – to become an acknowledged electronic artist and producer boasting an output (quoting from the Beacon’s blurb) “that flows from rugged techno to transcendent choral music, solo acoustic piano and psychedelic ambient, the Mercury Prize nominated Immunity (2013) and the Grammy-nominated Singularity (2018), two intense, ambitious albums of spiritually-minded techno and ambient tracks, were among the decade’s most lauded electronic albums”.
Firstly, I was probably the oldest person there. It was non-stop; high volume; big bass; wall of sound; massive colour (lighting engineers seem to be the new gods); enthusiastic, throbbing audience… and Hopkins on his own at the front manipulating everything on his synthesizer keyboard/drum machine (or whatever it is he uses!). I have to admit, it was the first such gig that I’d attended (Hopkins has travelled a long, long way in the last 12 years or so – without me following his journey). Being an old codger, I spent an awful of the time wondering what the high volume was doing to the eardrums of the people standing up (very) close to the amplifiers!!
Did I enjoy it? Well, yes, I absolutely did… even though the ‘music’ was not my sort of thing. I found it something of a mesmerising experience. Simon+Garfunkel it was not!!
PS: It was very good to see ‘Big Jeff’ (a Bristol music icon who regularly attends over 300 gigs a year) in the ‘front row’ of the audience… despite all his health problems after being badly burnt in a domestic fire three years ago.
PPS: It was also lovely to meet up briefly with Stu and Iris before the concert started (we’d all booked to see Hopkins, completely oblivious that we’d all be attending)… they were standing, while I was sitting(!) in a somewhat cramped seat on the ‘Lower Tier’ gallery.
Photo: Some ‘mash-up’ pics from last night.