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june-july 2025 books…
Hostages To Fortune (Elizabeth
Cambridge): I simply loved
this book (another from Persephone, published in 2003, but first published by
Jonathan Cape in 1933)… so BIG thanks to Moira for choosing it when we shopped
in Bath last month! This autobiographical novel follows the life of a young
woman, Catherine, from 1915 until the early 1930s. Her husband, invalided out
of the army in 1917, buys a doctor's practice in an Oxfordshire village where
they bring up their three children and become involved in village life. I found
the novel both unusual and compelling… there is no plot as such, but I
nevertheless found myself absorbed in family’s life – which one reviewer
described thus: “a surprisingly hard life, full of difficulties and disillusions,
but a satisfying one nevertheless”. It’s a book about the realities of parenthood
and its attendant joys and frustrations – which, even as a grandfather
(observing my own children and their children), I can recognise. Although the
book describes life from a century or more ago, it didn’t feel all that
different from the lives we live today. Having said that, it deals with the
time during and immediately following WW1 and, at the end of the book (set in
the early 1930s), it felt strange/sad reading about lives that, unknown to the
author, were soon to be affected by a second World War.
A Place Called Winter (Patrick Gale): This is our next Blokes’ bookgroup
book (which I first read 10 years ago). I think my views on the book from 10
years ago still stand: ‘This novel, set in the early years of the 20th century,
tells the story of a gay Englishman who was ostracised by his family after an
illicit affair and forced to make a new life for himself on the harsh Canadian
prairies. It’s actually loosely based on the life of Gale’s own
great-grandfather and compiled after he’d read a huge hoard of letters+papers
inherited from his maternal grandmother. In the notes that accompanied my copy
of his book, Gale readily accepts that, while he respected the “known facts,
keeping real names, and houses and dates”, his story “inevitably… moved further
and further away from reality”. I found the mix of fact and storytelling a
little difficult to take at times. Nevertheless, it’s a tender, compelling and
beautifully-written book and one that I enjoyed reading’.
Sentenced To Life (Clive James): I’ve been re-reading this book
(published in 2015) for my daily, early morning reflections. It’s an honest,
unflinching collection of poems looking back on his extraordinarily rich life
as he approached his death (he died in 2019). I again found his
words/reflections/regrets/joys/guilt/memories really quite poignant and
insightful – albeit sometimes overly self-pitying perhaps.
Goodnight Tokyo (Atsuhiro Yoshida): This is our next Storysmith bookgroup
choice (theme: books in translation)(translated by Haydn Trowell). Taxi driver
Matsui is one of the book’s key characters (although there’s a whole host of
characters!). Every night between 1am and 4.30am he drives around Tokyo’s
streets collecting his passengers and their stories. The book’s story is told
over a number of nights: confessions of intimacy, loneliness and the surreal…
and punctuated by Matsui’s dawn arrival at his favourite canteen for a plate of
their famous ham and eggs. Initially, I felt somewhat confused by the
relationships of the several characters and so, after perhaps 30 pages, ended
up scribbling out something of a ‘flow chart’ to remind myself who was who and
how their lives were connected (which, I have to say, helped enormously)! In
the novel’s ‘Afterword’, the author describes the book as “the intersection of…
ten fantastic tales” and that these “only exist in his mind, at least for time
being” (“intimately and compellingly connected” – as described on the book’s
cover). I’ve read quite a few novels by Japanese authors over the years and
many of them seem have a similar quirkiness or style to them. I have to admit
that it took me a little time to ‘get into’ the novel and appreciate fully the
fact that the characters’ interwoven stories… but once I did so, I really
enjoyed it.
Little Boy Lost (Marghanita Laski): This novel (originally published in 1949
(but this Persephone edition 2001) tells the journey of an English poet/writer,
Hilary, who returns after the war (WW2) to a blasted and impoverished France in
order to trace a child lost 5 years before. Hilary’s wife had died at the end
of the war, but had vowed to get their son to a place of safety. A French
friend had contacted Hilary believing that he may have tracked down the lost
little boy to an orphanage… and Hilary sets out to find answers. Is the child
really his? And does he want him? It’s a hugely compelling story about love,
generosity, goodness and uncertainty. I found Laski’s writing incredibly
impressive – always assured and understated – and with the tension and suspense
maintained until the very last line. Quite brilliant.
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