march-april 2024 books…

The Farmer’s Wife (Helen Rebanks): I’ve previously read James Rebanks’ brilliant two books about his family’s lives, over several generations, as sheep farmers in the fells of the Lake District. This is his wife’s ‘take’ on their farming life… about the love and pride for the land they farm; for her family (they have four young children); for their way of life and all its trials, tribulations, frustrations and joys. She writes quite beautifully and honestly about the difficulties of keeping things going despite the lack of money, but also about the endless improvisation and determination to achieve their dreams. She’s a full-time mother (with an art degree) dealing with all the day-to-day responsibilities of the school run and school liaison, caring for the domestic animals, cooking, farm administration (including all the form-filling, licences etc) and much, much more. There’s a section in the book in which she describes when the family were effectively ‘cut off’ for several days (no electricity, internet etc) during heavy snowstorms and their resourceful in staying safe/warm and nourished – whilst, at the same time, ensuring that their animals are tracked down and fed – a sobering reminder of what a hard life farming can be. Although I only briefly thumbed through them, the book also contains a whole host of recipes! A very impressive, powerful and frequently quite moving book.
Piccadily Jim (PG Wodehouse): I’m a great admirer of Wodehouse’s writing but must admit that I found this novel (first published in 1917) someone disappointing. The story combines English and American settings and characters (I never find his ‘take’ on Americans anything like as amusing as his descriptions of the English upper classes) and the plot is farcically complicated and, to my mind, unconvincing. It involves impersonations, spies, explosives and kidnapping plans that go awry. As you would imagine with Wodehouse, it’s frequently funny… but also ridiculously far-fetched. Not one of my favourites.
Not A River (Selva Almada): This is our Storysmith bookgroup’s next book (theme: a book from this year’s International Booker Prize Longlist). This from the cover’s blurb: “Three men go out fishing, returning to a favourite spot on a river in Argentina, despite their memories of a terrible accident there years earlier. As a long, sultry day passes, they drink and cook and talk and dance, and try to overcome the ghosts of their past. But they are outsiders, and this intimate, peculiar moment also puts them at odds with the inhabitants of this watery universe, both human and otherwise. The forest presses close, and violence seems inevitable, but can another tragedy be avoided?”. In some ways the men’s pursuit of a massive ray reminded me of Hemingway’s “The Old Man And The Sea” – the book has a similar foreboding atmosphere and sense of anxiety; here, we’re slowly shown glimpses back to the previous tragedy, one that has left its disturbing scars. The novel’s pace is somewhat leisurely (it’s certainly not relaxed!), but its setting of the calm river and the ominous woods simply reinforces the tension. I found it a very impressive book.
The Memoirs Of Sherlock Holmes (Arthur Conan Doyle): I’m no great admirer of Sherlock Holmes’ books, and certainly haven’t read one for some 20 years or more (and actually find the character consistently annoying!), but found this on the shelf of the Oxfam bookshop… This book, first published in 1950, consists of eleven ‘exciting adventures’ (according to the book’s cover!). It’s all very dated, predictable in style and general content (and, at times, somewhat ridiculous), but it makes for easy reading.
Madness Is Better Than Defeat (Ned Beauman): This is our next Blokes’ Bookgroup book. I take an awful lot of pleasure from reading but, after completing just the first 100 pages of this book (it’s 408 pages long), I decided that I’d ‘had enough’ and gave up (over the past 10 years or so, there is just ONE book I didn’t finish… so this will be the second!). The story relates to two rival expeditions, in 1938, setting off for a lost Mayan temple in the jungles of Honduras – one intending to shoot a ‘screwball comedy’ on location there… and the other to disassemble the temple and ship it back to New York. By all accounts, Bauman is a successful and popular writer (reviewers’ quotes on the book’s cover talk about him being ‘clever’, ‘seriously funny’ and ‘almost recklessly gifted’) but, frankly, I’m not a fan. I don’t doubt that I’ve probably missed out on lots of clever storylines and colourful characters, but my spirits have been raised merely by taking the decision to stop reading the book! Due to my impending hip operation, I’ll be unable to attend our bookgroup’s review evening of the novel – which is probably just as well!