Moira and I went along to the Watershed yesterday afternoon to see Wim Wenders’s film ‘Perfect Days’. On the face of it, the film’s subject matter is pretty uninspiring (understatement!) – it features the solitary life of a 60-something Tokyo public toilet cleaner, Hirayama (played by the rather wonderful Kōji Yakusho). Every day is the same. He lives in a frugal apartment; he puts on his overalls; he takes a can of coffee from a street vending machine; he drives to work in his modest little van; he works diligently and with a sense of pride; he exchanges words with very few people; most just don’t notice him…
It all seems pretty bleak… and yet the film proved to be entirely the opposite.
Hirayama finds quiet joy in the world around him… in the apparently insignificant things… the sunlight through the trees (and the trees themselves)… taking time to pause and take in the tiny details. His life is full of routine… he regularly takes his lunch breaks in a small landscaped square; after work, Hirayama he often bathes at a public bathhouse; he dines at a casual restaurant in a subway mall where he’s greeted as a regular; he often goes to the budget section of the local second-hand bookshop; he carefully rescues fragile Japanese maple seedlings and nurtures them in his apartment; he has an old point-and-shoot camera with which he captures the things that please him. All small, but important interactions. We all have the ability to look, but how many of us actually see?
Essentially, this achingly lovely film is an argument in favour of an alternative way of being… and I think we could all do with learning such a lesson.
I thought it was a rather wonderful, heart-warming, uplifting film and I think you should see it for yourself.
PS: And, as a bonus, Hirayama chooses to listen to 60s and 70s American and British rock songs (on cassette tapes), driving in his van, from the likes of the Velvet Underground, the Kinks, Otis Redding, Patti Smith, Nina Simone and Lou Reed.
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