I went along to the Watershed AGAIN this afternoon (that’s twice in less than a week – just like old times!), this time to see Pedro Almodóvar’s film “Parallel Mothers”. It’s a baby-swap drama (sorry about the spoiler, but it’s difficult to describe the film without reference to it) about two single mothers (played by Penélope Cruz and Milena Smit) and buried secrets from the Spanish civil war.
These heavily pregnant women share a hospital room and bond over their decision to go it alone. The two women’s newborns are whisked away for observational reasons at the same time… over time, one of them begins to doubt whether her child is really hers and orders a DNA test online. The disquieting results mean that the two women get back in touch and re-establish their extraordinary relationship… and experiences of their own mothers… and also the unhealed wound of Spain’s fascist past. The father of one of children is an anthropologist working with a historical unit formed to trace people murdered by Francoists during the civil war and buried in unmarked mass graves… and the mother (Cruz) believes that her great-grandfather was one such victim.
I think I’d best leave it there (things are somewhat more complicated than I’ve inferred).
I decided to see the film after reading Peter Bradshaw’s 5-star review in The Guardian and, although I did enjoy the film, it left me feeling a little disappointed.
For me, although I found the film both absorbing and quite moving, I also felt it was somewhat contrived and implausible.
PS: Again, I’m delighted to report that the entire audience wore face masks. Thank you Watershed!
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