takács quartet at st george’s…

Thanks to my good friend Ed - whose wife Ann unfortunately (but to my good fortune) had to attend an important meeting - I went along to St George’s last night to hear/see the acclaimed Takács Quartet play a programme of work by Haydn, Bartok, Schubert and Debussy (plus a superb Beethoven encore).
I’m not a classical music connoisseur (understatement!) and wasn’t familiar with any of pieces but, nevertheless, found it absolutely compelling. The exceptional performers Edward Dusinberre (violin), Harumi Rhodes (violin), Richard O’Neill (viola) and András Fejér (cello) produced an evening of mesmerising music – exquisite musicianship, timing and engagement of complex works in front of a near-capacity, enthusiastic, appreciative audience.
Quite a night!
PS: I’m always incredibly impressed that the knowledgeable music devotees know exactly how many sections each piece of music consists of and are able to delay applauding until the appropriate moment (ie. the actual end!). Over the years, I’ve learnt never to take the 'lead', but merely wait for ‘others’ to respond! 

souleymane's story…

I went to the Watershed again yesterday… this time to see Boris Lojkine’s film “Souleymane’s Story” about an asylum-seeker in Paris.
Having fled Guinea, Souleymane (in the words of the Watershed’s blurb) “powers through the streets of after dark Paris as a delivery rider, sleeps in hostels and prepares for his make-or-break appointment which will determine his residence permit status”.
It’s a pressurised, sobering existence for people like Souleymane (played brilliantly by Abou Sangaré), clinging on at the margins of the French capital. He’s facing his impending asylum interview which will decide his immediate future.
Some years ago, I befriended an asylum-seeker in Bristol and know first-hand of the pressures and bureaucratic nightmares facing the likes of Souleymane.
I watched the film in the Watershed’s small Cinema 2 (which has an audience capacity of just over 40); it was a Monday afternoon-showing and, frankly, I anticipated that I might be one of half a dozen people in attendance… but I was entirely wrong. The cinema was full.
This portrait of a modern migrant propels one into the precarious world of an otherwise invisible man and it reflects the hectic daily pressures of survival in a deceitful and unfair world in something of a frenzied blur… BUT then the scene changes to his asylum interview and the stark, painful questioning process and his back-story… and Souleymane leaving the building, knowing that the powers-that-be would be emailing him 3 days’ time informing him of his fate.
The absolute silence in the cinema at the end (and the fact that no one moved from their seat for a prolonged time) said it all.
It’s a tense, achingly human, empathetic and hugely impressive film. 

september-october 2025 books…

Hot Milk (Deborah Levy): First published in 2016, it tells of Sofia, a 25-year-old anthropologist-cum-barista, who has accompanied her mother Rose to southern Spain to attend a clinic in search of a diagnosis of and treatment for Rose’s mysterious and erratic paralysis. They have re-mortgaged their small London house to fund the trip. The mother’s wheelchair existence (although she frequently walks without it) has meant that Sofia’s life is bound by chains of control and dependency. They rent a beach house while the mother undergoes all sorts of tests administered by a doctor who could well turn out to be a ‘quack’. Despite all the relaxing sunshine, it’s quite a complex book - with Sofia becoming obsessed with a German seamstress; involved with a student manning the beach ‘injury hut’; and meeting up with her rich father in Athens (who she hadn’t seen for some 14 years and who had effectively abandoned her). It’s a novel about families, relationships, identity, coming-of age… and anger. It felt like the kind of book one reads on holiday. I read it quickly and quite enjoyed it.
Wilderness Taunts (Ian Adams): I’ve read this excellent book, by my great friend Ian, several times since it was first published (2016) and have again been using it as a basis for my recent early morning reflections (despite the fact that it’s geared towards Lent). It’s a book of meditations (and beautiful photographic images) exploring some of the demanding challenges that we all face to remain positive in this difficult world. Once again, I found it a very helpful, testing and yet, ultimately, hopeful book. 
Poems (Anna Akhmatova): Further poems from Akhmatova’s various books of poems I started last month (beautifully translated by DM Thomas). I continued to read it quite slowly (and out loud to myself) on a daily, early morning basis… and have now completed the final four books of the collection (‘Reed’, ‘The Seventh Book’, ‘Requiem’ and ‘Poem Without A Hero’). I’ve loved her writing and will no doubt come back to it on a regular basis.
So Shall You Reap (Donna Leon): Yet another Leon Commissario Brunetti Mystery (I know!). It seems somewhat ridiculous that crime mysteries have frequently become my ‘comfort read’, but hey! This one, published in 2023, relates to the discovery of the body of a Sri Lankan immigrant in one of Venice’s canals – which sets Brunetti to reflect back on his student days (of lost ideals and the errors of youth) and on Italian politics and history. Leon clearly has established a very successful writing formula: a mix of Venice’s beauty (with endless descriptions of Brunetti’s various routes through the city – linked, of course, to a street map at the beginning of the book and one’s own recollections of the city)(sometimes I think she overdoes this… and she just loves showing off her knowledge of Venice!); Brunetti’s family, his colleagues and his genial character (unless you’re a criminal); and the fact that most people enjoy a good crime novel. A clever, satisfying story and one that I very much enjoyed.
The Land In Winter (Andrew Miller): This is our next Storysmith bookgroup selection (theme: Booker Shortlist). This is a novel, set in the BigFreeze of 1962/63, about two marriages – two young couples who live in neighbouring houses in the West Country. Eric (Birmingham-born GP from working-class background) and Irene (all at sea compared with her old life in literary London); Bill (Oxford-educated “rich man’s son playing at farming” – but struggling) and Rita (former nightclub dancer, now farm wife). Both women are pregnant and form an unlikely friendship following an awkward Christmas party at Eric+Irene’s (just before the blizzards take over). I suppose it’s book about class and gender in the aftermath of WW2 (rationing is over, but life is still pretty tough)(the war and the Holocaust have taken their toll for both Bill and Rita’s fathers, in particular). There were aspects of the BigFreeze – which I remember as a 13-year-old! – that reflected some aspects of our lives during the Covid lockdown (isolation; travel difficulties; keeping in touch; shopping restrictions etc). It’s the story of the two women that provided the main fascination/interest for me. Both women are pregnant and both struggling to adjust to their unfamiliar rural surroundings with what their future lives will bring. Their lives are somewhat dictated by the desires and whims of their respective husbands (the days of Women’s Lib are still a little way off!). It’s a novel about dreams, relationships, families, adjustment, mistakes and uncertainty. All four individuals are each battling problems and then, on top of this, a tough winter is thrown at them. I found it a compelling read (brilliantly woven) and despite their various flaws, you end up hoping that the characters will find a way to get through it all. I don’t want to give too much away… but I can certainly see why the book made the Booker Shortlist.

graham nash at bristol beacon…

Nostalgia rules!
I went along to the Bristol Beacon last night to see/hear Graham Nash (plus Peter Asher – of ‘Peter+Gordon’ fame if you’re as old as me!). As you will probably know, Nash was an integral part of the 1960’s group (we didn’t call them ‘bands’ in those days!) The Hollies. Although I was never a massive Hollies’ fan, I did enjoy their music.
As far as I’m concerned, Nash truly came into his own when he joined musicians David Crosby (ex-Byrds) and Stephen Stills (ex-Buffalo Springfield) to form the ‘folk rock supergroup’(!) Crosby Stills+Nash in 1968 (later to become Crosby, Stills, Nash+Young when joined by Neil Young in 1970, I think).
As a bonus(?) for me, who regards Joni Mitchell as my all-time ultimate musical hero, Nash+Mitchell had a “famous and influential relationship in the Laurel Canyon music scene from 1968 to 1970. While they were deeply in love and inseparable, the intense and tumultuous relationship ultimately ended with Mitchell leaving Nash” (according to Wikipedia). Their time together inspired significant music, including the wonderful Mitchell's Blue album (featuring ‘My Old Man’ and ‘River’) and Nash's evocative ‘Our House’. 
So, for me, last night was all about musical memories from a very special time in my own life after leaving home/starting university (I could remember the words of most of the songs, of course!).
It proved to be a rather wonderful evening, Nash (accompanied by three excellent, high-quality musicians) ran through his impressive repertoire of songs – I’d forgotten that he’d actually written so many of my favourite songs.
Yes, there was part of me (approaching 77) going to see/hear a musician (approaching 84!) in his ‘twilight years’(??) playing for 90 minutes plus that found last night’s concert both sad and wonderfully ridiculous… an evening of old songs and ‘rosy-coloured’ recollections. I suspect, that over the next few days, I’ll be adding even more ‘old songs’ to my various playlists of very ageing tunes!
Nash was in very good form (and voice). A memorable evening.
I really enjoyed the concert and found it quite cathartic, uplifting and even quite emotional at times.
Living in the past… while I can still remember it.
Photos: from my seat at the concert.
Footnote: At the start of the evening, Peter Asher talked and played songs (accompanied by two other musicians) from his own musical career – including fascinating insights into his time working with James Taylor and Carole King. Gordon Waller died in 2009. Unlike Nash, Asher’s ageing voice isn’t what it was, but hey!

o’hooley+tidow at st george’s…

After 15 years of performing together, eight studio albums, four BBC Folk Award nominations and hundreds of venues and festivals across the UK and Europe, O’Hooley+Tidow have “decided to say farewell for now in order to explore other adventures that are beckoning” (among these: Heidi returning to university).
I went along to St George’s last night to see/hear Belinda O’Hooley and Heidi Tidow perform their eclectic mix of thought-provoking songs and intricate harmonies (I think it was the fifth time I’d seen them perform over the past twelve years or so). Once again, I came away feeling very impressed… but, given that this was effectively their ‘Farewell Tour’, also sad that they won’t be returning - at least for the time being.
They’ve established themselves as gifted singer-songwriters and they frequently write about difficult, painful subjects such as racism, animal cruelty, poverty, vulnerability and child abuse with remarkable, understated clarity. They both sing beautifully (gifted pianist Belinda clearly always enjoys returning to St George’s Steinway piano!) and come across as rather lovely people - compassionate, sincere and down-to-earth (and very funny!).
Another really lovely evening… in one of my favourite concert venues.
Photo from my seat at last night’s concert.

your starter for ten…

Moira and I went along to the Bristol Old Vic last night for the first time in ages (with Moira’s hearing deficiency – and mine, to a lesser extent - the last few occasions we’ve been to the Old Vic have proved somewhat frustrating). Last night’s show, based on the long-running ‘University Challenge’ television programme (and set in 1986), was a musical… and also benefitted from having sub-titles (I know!)… AND, as a bonus, had the wonderful Mel Giedroyc playing one of the characters (and she’s excellent).
The show, a musical adaptation of David Nicholls' novel, follows one of the students, Brian Jackson (Adam Bregman), as he navigates university life in Bristol and the outside possibility of him participating in the UC game show (something his late Dad – a huge fan of the programme – would certainly have encouraged). Woven into all this is his early infatuation with ‘posh-girl’ Alice (Emily Lane) and his association with sarcastic, up-front Glaswegian protester Rebecca (Eubha Akilade).
It’s hugely-impressive show - full of energy, fast-moving, finely-timed choreography and beautiful, powerful singing. Lots of humour; lots of amusing references to all those zealous ‘societies’ one is inevitably confronted with in Freshers’ Week… and pathos too. All the cast were excellent – but with absolutely stand-out performances from Bregman and Akilade.
It all provided wonderful evening’s entertainment, which lifted the spirits in these depressing times.

christchurch meadow, oxford…

I ‘discovered’ Christchurch Meadow very soon after I moved to Oxford in September 1967 (which, somewhat frighteningly, is nearly 60 years ago now!).
Yesterday, I was meeting up in Oxford for lunch with some very ‘old’ friends (we regularly played golf together) and couldn’t resist getting an earlier train so I could explore some of my old haunts. Christchurch Meadow is one of my very favourite locations in the UK… and, for me, so evocative (arriving as a working-class youth from Handsworth, Birmingham in the glorious city of Oxford to start my architectural studies).
Yesterday was one of those perfect Autumnal days… sunny and bright… and everywhere was looking rather magnificent.
Happy days!