Thursday, September 12, 2024

september 2024 books…

Letters To My Grandchildren (Tony Benn): I seem to be going through a phase of re-reading books (I first read this in 2012; first published in 2009). An encouraging book – idealistic, inevitably political and hugely affectionate – comprising 39 letters to his grandchildren (together with a lovely postscript “The Daddy Shop” – an invented story of his). When he wrote it, his ten grandchildren ranged from 31 to 13 years in age (which means they now must be 46 to 28!); when I first read it in 2012, our six grandchildren ranged from 6 to 1 years of age (and are now 18 to 12). Even if you didn’t altogether agree with his political views, you can’t help but appreciate his constant curiosity and zest for life. Some really insightful stuff – especial about war, political power and the environment. He died in 2014, aged 88… a good man.
Wilt On High (Tom Sharpe): It’s been a very long time since I first read this – probably approaching 40 years (first published in 1984)! I’ve read a lot of Sharpe’s books over the years and this one is fairly typical in its completely over-the-top, farcical and hysterical humour (with a fair portion of vulgarity and sex thrown into the mix!). Henry Wilt is a Liberal Studies lecturer at the Fenland College of Arts and Technology; he’s married to Eva and they have gifted, quarrelling quad daughters. There’s talk of drug dealing at the Tech (a student is found dead) and, completely unfairly, Wilt becomes the target of suspicion. He also, for his sins, teaches weekly at the local prison and at the nearby US airbase; alarm bells sound in both organisations and Wilt is at the centre of the resulting investigations… Inventive and frequently very funny.
Why I Wake Early (Mary Oliver): Another re-read (I first read this in 2016)… which I’m using as part of my early morning routine (Oliver and I both wake up early!). I love Oliver’s poetry. She has a natural gift for conveying the wonder of the ordinary… although she focusses on ‘creatures’ a little/much too much for my taste! But I do love the fact that she sees (and celebrates) things that most people might never notice. Looking, seeing, reflecting, celebrating the simple things in life. Another beautiful book.
Vanessa Bell: Portrait Of The Bloomsbury Artist (Frances Spalding): Yet another re-read (previously read in July 2021)… but I’ve been looking at her art quite a lot recently. In fact, there’s been an exhibition of her work at The Courtauld during the Summer/early Autumn – which, sadly, I might not be able to get to. I absolutely loved this excellent biography (first published in 1983 and re-published in 2016). I’ve read a lot of Bloomsbury-related stuff over recent years and been particularly drawn to the paintings by Vanessa Bell and Duncan Grant. This book provides fascinating insights into the work and lives of both of them (and the Bloomsbury group) - with Bell becoming something of a mother figure for the whole group and a catalyst for much of what the group came to represent. She walked an emotional tightrope in her relationships with her husband (Clive Bell), ex-lover (Roger Fry) and lover (Duncan Grant) and enjoyed a bohemian lifestyle of sexual freedom, fierce independence and honesty. As a painter, Bell was as radical as her sister Virginia Woolf the writer (Woolf described Bell as ‘the Saint’ for her practical sense of duty and organisation). The book has been compiled from letters and diaries (without letters, how much would have been lost!) and full of amusing and intriguing details. This extract sums up Bell beautifully: “Vanessa continued to follow an independent course in life with a sense of purpose that others envied. Vanessa ‘takes her own line in London life’, Virginia (Woolf) observed; ‘ refuses to be a celebrated painted; buys no clothes; sees whom she likes as she likes; and altogether leads an indomitable sensible and very sublime existence’.” A wonderful, intriguing biography… which I really enjoyed re-reading.
Bullets For The Bridegroom (David Dodge): Another Penguin crime novel bought at the Oxfam bookshop (first published in 1948)(apparently it’s the third ‘Whit’ Whitney book?). Set in Reno, Nevada at the end of WW2 (between VE and VJ Day), James and Kitty Whitney have just got married and are on honeymoon, but find themselves sucked into the somewhat scary world of espionage, a questionable night-club/casino, disguised government agents, mistaken identities… and murder (the person who was going to marry them gets murdered). The FBI are desperately trying to track a secret wireless station. It’s a pacey, sinister tale which builds in intensity and ends in a large-scale gunfight involving enemy agents but, for me, I found the plot rather unconvincing and disappointing (I could imagine the author fancying it becoming a blockbuster film!), the storyline dated (perhaps not surprisingly!) and, ultimately, predictable.    

Tuesday, September 03, 2024

school service corps (in the early 1960s)... but not for me.

Bizarrely, I recently came across a photograph of an earth mound/retaining wall structure they use on shooting ranges and it immediately conjured up memories of my time at grammar school in Birmingham. We had our own firing range(!) in the 'playground' - consisting of a high brick wall, with battered earth in front to house the targets (we used the firing range as one of our playground ‘goalmouths’!), together with its own fully-equipped armoury on school premises (complete with rifles, bayonets and bullets)!!
I was born just four years after the end of the war and it’s easy to forget how much impact the war still had in those years of my youth.
The school’s cadet corps (Army/Navy/RAF) was taken EXTREMELY seriously; school masters used to wear their service uniforms once a week on service corps days. Each year, the school’s cadet corps had a large parade – they marched (complete with a full band of drummers and buglers) from the school to the sports ground off Wood Lane, three miles away… and they were always led by the Divinity master (and Army officer!) who rode a huge white horse (I know!).
There was an expectation for all boys to sign up for the Cadet Corps and I think most probably did. But NOT our Form. I was in the ‘Remove Stream’ at school – we were in the ‘fast stream’ earmarked to take our ‘O’ Levels in 4 years instead of 5. When it came to the time for signing up (in 1962/63, when we were perhaps 14 years old?), absolutely NO ONE in our class volunteered to ‘join up’. The assigned ‘Cadet Corps Masters’ were incredulous… “never in the history of the school has this ever happened” (or words to that effect). I recall the ‘Top Dog’ Corps Master coming to lecture us… it was our DUTY… we were the school’s future Cadet Corps OFFICERS for goodness sake (implying that, as the ‘bright’ ones, we were required to pull the others ‘into shape’). It had absolutely no effect… none of us joined up. 
It’s something I look back on with a certain pride… you might think our actions were inappropriate, unwarranted or misguided but, like the climate change school pupils of today, I think we were making our own small statement… and, naïve as it might be, I’m very pleased that we did.