june 2024 books...

Heart of Darkness (Joseph Conrad): This our next ‘Blokes’ bookgroup book. It was first published in 1899 and tells the story of Marlow, a seaman and wanderer, who recounts his physical and psychological journey up the heart of the River Congo in search of an infamous ivory trader, Kurtz. It’s about the Victorian world of adventure, exploration, discovery… and exploitation. It’s a tough read in more ways than one – there’s a sense of the physical and mental struggle of battling through the jungle, but also of the various powers-that-be exploiting Africa for its riches and resources while leaving little or nothing to the Africans who are labouring under them. There are lots of shameful references of the native Africans as being ‘savages’ (indeed, Kurtz himself had been working on behalf of the ‘International Society for the Suppression of Savage Customs’). Through Marlow, Conrad shows the horrors of colonialism and concludes that the Europeans, not the Africans, are the true savages.
Politics On The Edge (Rory Stewart): This will probably turn out to be my ‘Book of the Year’. I’ve long been an admirer of his writing (his book ‘The Marches’ is a particular favourite) and his observations (political or otherwise). You will probably recall that Stewart is a former MP and Minister who was sacked from the Conservative Party by Prime Minister Johnson (for voting against the government). It’s a compelling political autobiography – a brilliant, uncompromising, unfailingly honest portrait of the realities of life in and around Westminster. It’s well-written and hugely entertaining (and somewhat depressing) account of dysfunctional government. Again and again, one is reminded that, because of the farcical ‘first-past-the-post’ electoral system, the arrogance and self-interest of politicians (and in many cases, the dishonesty) seems to be the fundamental aim. I could quote endlessly from the book, but will limit myself to the following two extracts: “I hated how politicians used the pompous grandeur of the Palace of Westminster to pretend to a power they did not have, and to take credit for things they had not done”… and “Nine years in politics had been a shocking education in lack of seriousness. I had begun by noticing how grotesquely unqualified so many of us were for the offices we were given. I had found, working for Liz Truss, a culture that prized campaigning over careful governing, opinion polls over detailed policy debates, announcements over implementation. I felt that we had collectively failed to respond adequately to every major challenge of the past 15 years: the financial crisis, the collapse of the liberal ‘global order’, public despair, and the polarisation of Brexit”. I can’t recommend this brilliant book highly enough.
Foul+Fair (Steve Couch): Author Steve is a good friend from our old days when we lived in Thame, Oxfordshire and I was honoured (and very surprised) to be asked to give my thoughts on the book in its pre-published form (no pressure then!). Key characters are an English teacher whose career is in tatters, but who also coaches a boys’ football team and a single parent police officer who is worried about her career and her son. They both struggle with trying to balance ‘doing the right thing’ and ‘getting the right result’. As a former Sunday League player and as someone who has watched one of his grandsons play in their local side on a number of occasions (and also working as a Deputy House of Head at a comprehensive school after retiring from my architectural practice!), I really enjoyed re-reading the final form of this book (350 pages in 1.5 days gives you a sense of how readable/page-turning this book is!). The story felt entirely authentic. I ‘recognised’ many of the characters and situations… not to mention the ‘overzealous’ team managers, embarrassing loud-mouthed parents, intimidating pupils and the career-obsessed teachers! Very enjoyable.
Late Cuts (Vic Marks): These days, we regard Vic Marks as being one of cricket’s ‘elder statesmen’ but, in my first architectural job in Oxford in the mid-1970s, I recall spending many summer lunchtimes watching him (and the likes of Imran Khan) play at University Parks… and now realise that he was a mere ‘youngster’ (he’s 6 years younger than me!). It’s an entertaining, wide-ranging reflection on the game encompassing his observations on such matters as captains, partnerships, declarations, press conferences and the like - and his contention that the County Championship is the most important aspect of the English game and his despair that its conclusion is relegated to the cold, damp days of the end of September (I just MIGHT have made similar remarks over recent years!). The book (published in 2022… and written between the first and third lockdowns!) is something of a celebration of the game (despite his views of ‘The Hundred’!) in the words of the book’s cover: taking us “beyond the boundary rope, sharing the parts of the game fans don’t get to see, from the food… to the politics of the dressing room… it’s the literary equivalent of an afternoon in the sun at a county outground…”. Perfect summer reading for me!
Charleston: A Bloomsbury House+Garden (Quentin Bell+Virginia Nicholson): Moira bought this lovely book in 1999 but, although I’ve perused its beautifully-illustrated pages on a very regular basis over the years, I realised that I hadn’t actually READ much of it! Quentin Bell (younger son of Clive and Vanessa Bell) was 85 when he started writing the book but, after presenting the first draft, became too ill to continue – so his elder daughter, Virginia Nicholson, completed it. Painters Vanessa Bell and Duncan Grant moved to Charleston Farmhouse, in East Sussex, in 1916… and, over the next 50 years, it became the country meeting place for the group of artists, writers and intellectuals known as Bloomsbury (with the artists decorating the walls, doors and furniture). It’s an account of an artistic, somewhat bohemian, creative collection of artists and intellectuals meeting/living together at the house (albeit rather privileged individuals who don’t necessarily have to scrape a living in order to be able to produce their art and writing). Fascinating and stimulating.